Mimar Sinan\u2019\u0131n ya\u015fad\u0131\u011f\u0131 d\u00f6nemin \u00e7ok \u00f6tesine uzanan eserleriyle mimarl\u0131k tarihine y\u00f6n veren, insan\u0131 ve \u00e7evresini merkez alan yakla\u015f\u0131m\u0131yla \u00e7a\u011flar \u00f6tesine y\u00f6n veren bir ki\u015fi oldu\u011funa dikkat \u00e7eken Mimarlar Odas\u0131 \u0130skenderun Temsilcili\u011fi \u015fu a\u00e7\u0131klamay\u0131 yapt\u0131:<\/p>\n
\u201c Mimar Sinan, sadece fiziksel yap\u0131lar de\u011fil, ya\u015fad\u0131\u011f\u0131 d\u00f6nemin sosyal, k\u00fclt\u00fcrel ve teknik birikimini yans\u0131tan mek\u00e2nlar \u00fcretmi\u015ftir. Farkl\u0131 co\u011frafi ve k\u00fclt\u00fcrel ba\u011flamlarda, yerin \u00f6zg\u00fcn karakterine uygun bi\u00e7imde geli\u015ftirdi\u011fi yap\u0131lar bulundu\u011fu yerle kurdu\u011fu benzersiz ili\u015fki sayesinde zamana meydan okuyan bir kimlik kazanm\u0131\u015ft\u0131r.<\/p>\n
B\u0130L\u0130M VE SORUMLULUK HAYAT\u0130 \u00d6NEM TA\u015eIYOR<\/p>\n
\u0130skenderun Temsilcili\u011fi, Bug\u00fcn ya\u015fad\u0131\u011f\u0131m\u0131z kentlerin kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131 kimliksizlik, plans\u0131z b\u00fcy\u00fcme ve rant odakl\u0131 yakla\u015f\u0131mlar; ne yaz\u0131k ki bu b\u00fcy\u00fck miras\u0131n ruhuyla \u00e7eli\u015fmektedir. Diyerek a\u00e7\u0131klamas\u0131na \u015f\u00f6yle devam etti:<\/p>\n
\u201c \u00a06 \u015eubat\u2019ta ve 20 \u015eubat\u2019ta b\u00f6lgemizi sarsan depremler, yap\u0131 \u00fcretim s\u00fcrecinde bilim ve sorumlulu\u011fun ne denli hayati oldu\u011funu bir kez daha g\u00f6stermi\u015ftir. \u0130skenderun da bu ger\u00e7eklikle y\u00fczle\u015fmi\u015f, yeniden yap\u0131lanma s\u00fcrecinde do\u011fru kararlar alman\u0131n ne kadar k\u0131ymetli oldu\u011funu tecr\u00fcbe etmi\u015ftir.<\/p>\n
Mimar Sinan\u2019\u0131n b\u0131rakt\u0131\u011f\u0131 mimari anlay\u0131\u015f bizler i\u00e7in yaln\u0131zca ge\u00e7mi\u015fe ait bir miras de\u011fil, ayn\u0131 zamanda gelece\u011fi kurarken rehber ald\u0131\u011f\u0131m\u0131z bir ilham kayna\u011f\u0131d\u0131r. \u0130skenderun Temsilcili\u011fi olarak, onun insan odakl\u0131 yakla\u015f\u0131m\u0131n\u0131 referans alarak, kentimizin yeniden aya\u011fa kalkt\u0131\u011f\u0131 bu s\u00fcre\u00e7te daha sa\u011fl\u0131kl\u0131, daha ya\u015fanabilir ve daha nitelikli bir \u00e7evre i\u00e7in mesleki sorumlulu\u011fumuzu s\u00fcrd\u00fcrmeye kararl\u0131y\u0131z.<\/p>\n
Bu vesileyle, mimarl\u0131k sanat\u0131na katt\u0131\u011f\u0131 evrensel de\u011fer ve insan odakl\u0131 yakla\u015f\u0131m\u0131yla yaln\u0131zca kendi d\u00f6nemine de\u011fil, t\u00fcm \u00e7a\u011flara \u0131\u015f\u0131k tutan Mimar Sinan\u2019\u0131 sayg\u0131yla an\u0131yoruz.\u201d<\/p>\n
\u200bMimarlar Odas\u0131 \u0130skenderun Temsilcili\u011fi, Mimar Sinan\u2019\u0131 \u00f6l\u00fcm\u00fcn\u00fcn 437. y\u0131l\u0131nda sayg\u0131yla an\u0131yoruz diyerek,\u201d 6 \u015eubat sonras\u0131 yeniden yap\u0131lanmada do\u011fru kararlar\u0131n al\u0131nmas\u0131 \u00e7ok k\u0131ymetli\u201d denildi.\u00a0<\/p>\n
\u200bHaberin Al\u0131nt\u0131land\u0131\u011f\u0131 Kaynak: www.iskenderun.org<\/p>","protected":false},"excerpt":{"rendered":"
Mimar Sinan\u2019\u0131n ya\u015fad\u0131\u011f\u0131 d\u00f6nemin \u00e7ok \u00f6tesine uzanan eserleriyle mimarl\u0131k tarihine y\u00f6n veren, insan\u0131 ve \u00e7evresini merkez alan yakla\u015f\u0131m\u0131yla \u00e7a\u011flar \u00f6tesine y\u00f6n veren bir ki\u015fi oldu\u011funa dikkat \u00e7eken Mimarlar Odas\u0131 \u0130skenderun Temsilcili\u011fi \u015fu a\u00e7\u0131klamay\u0131 yapt\u0131: \u201c Mimar Sinan, sadece fiziksel yap\u0131lar de\u011fil, ya\u015fad\u0131\u011f\u0131 d\u00f6nemin sosyal, k\u00fclt\u00fcrel ve teknik birikimini yans\u0131tan mek\u00e2nlar \u00fcretmi\u015ftir. Farkl\u0131 co\u011frafi ve k\u00fclt\u00fcrel ba\u011flamlarda, yerin \u00f6zg\u00fcn karakterine uygun bi\u00e7imde geli\u015ftirdi\u011fi yap\u0131lar bulundu\u011fu yerle kurdu\u011fu benzersiz ili\u015fki sayesinde zamana meydan okuyan bir kimlik kazanm\u0131\u015ft\u0131r. B\u0130L\u0130M VE SORUMLULUK HAYAT\u0130 \u00d6NEM TA\u015eIYOR \u0130skenderun Temsilcili\u011fi, Bug\u00fcn ya\u015fad\u0131\u011f\u0131m\u0131z kentlerin kar\u015f\u0131 kar\u015f\u0131ya kald\u0131\u011f\u0131 kimliksizlik, plans\u0131z b\u00fcy\u00fcme ve rant odakl\u0131 yakla\u015f\u0131mlar; ne yaz\u0131k ki bu b\u00fcy\u00fck miras\u0131n ruhuyla \u00e7eli\u015fmektedir. Diyerek a\u00e7\u0131klamas\u0131na \u015f\u00f6yle devam etti: \u201c \u00a06 \u015eubat\u2019ta ve 20 \u015eubat\u2019ta b\u00f6lgemizi sarsan depremler, yap\u0131 \u00fcretim s\u00fcrecinde bilim ve sorumlulu\u011fun ne denli hayati oldu\u011funu bir kez daha g\u00f6stermi\u015ftir. \u0130skenderun da bu ger\u00e7eklikle y\u00fczle\u015fmi\u015f, yeniden yap\u0131lanma s\u00fcrecinde do\u011fru kararlar alman\u0131n ne kadar k\u0131ymetli oldu\u011funu tecr\u00fcbe etmi\u015ftir. Mimar Sinan\u2019\u0131n b\u0131rakt\u0131\u011f\u0131 mimari anlay\u0131\u015f bizler i\u00e7in yaln\u0131zca ge\u00e7mi\u015fe ait bir miras de\u011fil, ayn\u0131 zamanda gelece\u011fi kurarken rehber ald\u0131\u011f\u0131m\u0131z bir ilham kayna\u011f\u0131d\u0131r. \u0130skenderun Temsilcili\u011fi olarak, onun insan odakl\u0131 yakla\u015f\u0131m\u0131n\u0131 referans alarak, kentimizin yeniden aya\u011fa kalkt\u0131\u011f\u0131 bu s\u00fcre\u00e7te daha sa\u011fl\u0131kl\u0131, daha ya\u015fanabilir ve daha nitelikli bir \u00e7evre i\u00e7in mesleki sorumlulu\u011fumuzu s\u00fcrd\u00fcrmeye kararl\u0131y\u0131z. …<\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-51314","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gundem"],"acf":[],"yoast_head":"\n