{"id":87289,"date":"2025-05-15T13:41:42","date_gmt":"2025-05-15T10:41:42","guid":{"rendered":"https:\/\/denizcankizil.tr\/uncategorized-tr\/sanatin-hal-i-pur-melali\/"},"modified":"2025-05-15T13:41:42","modified_gmt":"2025-05-15T10:41:42","slug":"sanatin-hal-i-pur-melali","status":"publish","type":"post","link":"https:\/\/denizcankizil.tr\/de\/haberler\/gundem\/sanatin-hal-i-pur-melali\/","title":{"rendered":"Sanat\u0131n Hal-i P\u00fcr Mel\u00e2li"},"content":{"rendered":"

Toplumda, Van Gogh\u2019a \u00f6yk\u00fcnerek s\u00f6ylersek \u201cpatates yiyen\u201d yoksul y\u0131\u011f\u0131nlar \u00e7o\u011fald\u0131k\u00e7a diziler, \u00fcst s\u0131n\u0131f zengin sofralar\u0131na \u00e7eviriyor kameralar\u0131n\u0131. Avam, yukar\u0131n\u0131n tutars\u0131z g\u00f6n\u00fcl maceralar\u0131n\u0131, t\u00fcm o \u015fatafat i\u00e7inde ya\u015fad\u0131\u011f\u0131 mutsuzlu\u011fu seyre dal\u0131yor; adeta bunlarla avunuyor. S\u0131n\u0131f atlama \u00e7abas\u0131 dahi derin bir hareketsizlik duygusuyla \u201cizlemeyle yetinme\u201d eylemine d\u00f6n\u00fc\u015fm\u00fc\u015f durumda.<\/p>\n

Mazrufa De\u011fil Zarfa Bak!<\/p>\n

Bir zamanlar egemenin, erkin, tepenin tahakk\u00fcm\u00fcn\u00fc konu alan sinema, uzunca bir s\u00fcredir bu tarihsel u\u011fra\u015f\u0131n yan\u0131na sokulmuyor. Hedefte gariban olan var. Bir zamanlar Chaplin\u2019in, Kemal Sunal\u2019\u0131n g\u00f6zlerinden d\u00fcnyaya bakanlar, art\u0131k toplumsal ya\u015famdan tamamen soyutlanm\u0131\u015f \u201ck\u00fc\u00e7\u00fck adam\u201d\u0131n anlams\u0131z eylemlerine g\u00fcl\u00fcp ge\u00e7iyor. D\u00fcn\u00fcn fig\u00fcranlar\u0131 ba\u015fat unsur art\u0131k ve yedinci sanat, 100 k\u00fcsur y\u0131l sonra i\u00e7inden \u00e7\u0131kt\u0131\u011f\u0131 s\u0131n\u0131fa s\u0131rt \u00e7evirmi\u015f durumda. Say\u0131ca az etki olarak fazla bir topluluk eliyle form\u00fcle edilen \u201csanat\u201d veya \u201cfestival\u201d sinemas\u0131nda da her \u015fey planland\u0131\u011f\u0131 gibi ilerliyor. G\u00fcn\u00fcm\u00fcz\u00fcn \u201chakikati arayan\u201d (!) y\u00f6netmenlerinin \u00fcretimleri bu diyar\u0131 de\u011fil de zembille indikleri g\u00f6kleri i\u015faret ediyor sanki. Suskunlu\u011funun ard\u0131nda derin anlamlar yatt\u0131\u011f\u0131n\u0131 varsayd\u0131\u011f\u0131m\u0131z tiplemeler de bir ba\u015fyap\u0131t\u0131n oyuncular\u0131 olarak selamlan\u0131yor, durmaks\u0131z\u0131n konu\u015fanlar da\u2026 Sessizlik ya da kelime bombard\u0131man\u0131nda anlam aramak nafile! 21. y\u00fczy\u0131l\u0131n sanat ortam\u0131, kudretini \u201cZarfa de\u011fil mazrufa bak\u201d s\u00f6z\u00fcn\u00fcn tersinden al\u0131yor!<\/p>\n

S\u00f6z\u00fcn Eylemini Yitirdi\u011fi An<\/p>\n

Yeteneksizli\u011fin ve duyars\u0131zl\u0131\u011f\u0131n onca kavram karga\u015fas\u0131na aras\u0131nda g\u00fcr\u00fclt\u00fcye getirildi\u011fi; \u201c\u0130yi ama bu neyi anlat\u0131yor?\u201d diye soranlara, \u201cSen onu b\u0131rak da nas\u0131l yapt\u0131\u011f\u0131ma bak!\u201d yan\u0131t\u0131n\u0131 veren bir sanat ortam\u0131ndan ge\u00e7iyoruz nicedir. Rengin, f\u0131r\u00e7a darbesinin, imgenin, s\u00fcsl\u00fc notan\u0131n her \u015fey say\u0131ld\u0131\u011f\u0131 bir \u201cedebi\u201d iklimde ya\u015fananlar\u0131 kim kavramaya \u00e7al\u0131\u015f\u0131yor, varolu\u015fun s\u0131rr\u0131n\u0131n reklamda yatt\u0131\u011f\u0131n\u0131 fark eden kim?<\/p>\n

Ya\u015fad\u0131\u011f\u0131n\u0131z kentin sembollerini d\u00fc\u015f\u00fcn\u00fcn; \u015fimdi yerinde yeller esen duvar resimlerini; kimisi oligar\u015finin elinden g\u00fc\u00e7l\u00fckle kurtar\u0131lm\u0131\u015f heykelleri\u2026 Sonra bug\u00fcne gelin. Yeni sanat, yeni insan i\u00e7in neler vaat ediyor, hangi simgeleri \u00fcretiyor? Bir \u015fehirde sergi a\u00e7\u0131l\u0131\u015flar\u0131, panel ve konferanslar, \u00e7al\u0131\u015ftaylar; hatta bu olup bitenleri sorgulamaya \u00e7al\u0131\u015fan b\u00f6ylesi yaz\u0131lar 100-150 ki\u015fi aras\u0131nda d\u00f6n\u00fcp duruyorsa, s\u00f6z eylemini yitirmi\u015ftir! Okuyandan \u00e7ok yazan; dinlemeye \u00e7al\u0131\u015fandan fazla konu\u015fan; durmaks\u0131z\u0131n anlatmay\u0131, \u201canlamaya\u201d tercih eden ya\u015f alm\u0131\u015f topluluklar tutmu\u015fsa k\u00f6\u015fe ba\u015flar\u0131n\u0131\u2026 Yaz\u0131p \u00e7izmenin dahi mant\u0131\u011f\u0131 ortadan kalkm\u0131\u015ft\u0131r.<\/p>\n

\u00d6nderler ve Koyunlar!<\/p>\n

G\u00fcn\u00fcm\u00fcz sanat ortam\u0131, eskiden reva\u00e7ta olan \u201c\u015fatafatl\u0131 ma\u011flubiyet\u201d, \u201conurlu yenilgi\u201d gibi izahlara bile ihtiya\u00e7 duymuyor; zira ortada bir kay\u0131p yok. Adeta her \u015fey kazan\u0131lan sanal mevzileri korumak \u00fczerine kurulu. Masa ba\u015flar\u0131nda gen\u00e7lik \u00fczerine s\u00f6ylevler veren, onlara yol g\u00f6steren siluetler, dar bir grubun egemen oldu\u011fu soylu sanat ortamlar\u0131ndaki ya\u015f ortalamas\u0131n\u0131 sorun dahi etmiyor. \u015eayet Delacroix\u2019n\u0131n \u201cHalka \u00d6nderlik Eden H\u00fcrriyet\u201di yeniden yorumlansa idi 2025\u2019in kahramanlar\u0131, muhtemelen gemisini kurtaran kaptanlar olurdu. (Bunu, \u201ckendi baca\u011f\u0131ndan as\u0131lan koyunlar\u201d \u015feklinde de okuyabilirsiniz!)<\/p>\n

B\u00fct\u00fcn bu ahval ve \u015ferait i\u00e7inde, bu sat\u0131rlar\u0131n yazar\u0131 da d\u00e2hil olmak \u00fczere; kim, d\u00fcnyay\u0131 sanat\u0131n kurtaraca\u011f\u0131na vurgu yap\u0131yorsa yalan s\u00f6yl\u00fcyordur!<\/p>\n

\u200bToplumda, Van Gogh\u2019a \u00f6yk\u00fcnerek s\u00f6ylersek \u201cpatates yiyen\u201d yoksul y\u0131\u011f\u0131nlar \u00e7o\u011fald\u0131k\u00e7a diziler, \u00fcst s\u0131n\u0131f zengin sofralar\u0131na \u00e7eviriyor kameralar\u0131n\u0131. Avam, yukar\u0131n\u0131n tutars\u0131z g\u00f6n\u00fcl maceralar\u0131n\u0131, t\u00fcm o \u015fatafat i\u00e7inde ya\u015fad\u0131\u011f\u0131 mutsuzlu\u011fu seyre dal\u0131yor; adeta bunlarla avunuyor. S\u0131n\u0131f atlama \u00e7abas\u0131 dahi derin bir hareketsizlik duygusuyla \u201cizlemeyle yetinme\u201d eylemine d\u00f6n\u00fc\u015fm\u00fc\u015f durumda.<\/p>\n

Mazrufa De\u011fil Zarfa Bak!<\/p>\n

Bir zamanlar egemenin, erkin, tepenin tahakk\u00fcm\u00fcn\u00fc konu alan sinema, uzunca bir s\u00fcredir bu tarihsel u\u011fra\u015f\u0131n yan\u0131na sokulmuyor. Hedefte gariban olan var. Bir zamanlar Chaplin\u2019in, Kemal Sunal\u2019\u0131n g\u00f6zlerinden d\u00fcnyaya bakanlar, art\u0131k toplumsal ya\u015famdan tamamen soyutlanm\u0131\u015f \u201ck\u00fc\u00e7\u00fck adam\u201d\u0131n anlams\u0131z eylemlerine g\u00fcl\u00fcp ge\u00e7iyor. D\u00fcn\u00fcn fig\u00fcranlar\u0131 ba\u015fat unsur art\u0131k ve yedinci sanat, 100 k\u00fcsur y\u0131l sonra i\u00e7inden \u00e7\u0131kt\u0131\u011f\u0131 s\u0131n\u0131fa s\u0131rt \u00e7evirmi\u015f durumda. Say\u0131ca az etki olarak fazla bir topluluk eliyle form\u00fcle edilen \u201csanat\u201d veya \u201cfestival\u201d sinemas\u0131nda da her \u015fey planland\u0131\u011f\u0131 gibi ilerliyor. G\u00fcn\u00fcm\u00fcz\u00fcn \u201chakikati arayan\u201d (!) y\u00f6netmenlerinin \u00fcretimleri bu diyar\u0131 de\u011fil de zembille indikleri g\u00f6kleri i\u015faret ediyor sanki. Suskunlu\u011funun ard\u0131nda derin anlamlar yatt\u0131\u011f\u0131n\u0131 varsayd\u0131\u011f\u0131m\u0131z tiplemeler de bir ba\u015fyap\u0131t\u0131n oyuncular\u0131 olarak selamlan\u0131yor, durmaks\u0131z\u0131n konu\u015fanlar da\u2026 Sessizlik ya da kelime bombard\u0131man\u0131nda anlam aramak nafile! 21. y\u00fczy\u0131l\u0131n sanat ortam\u0131, kudretini \u201cZarfa de\u011fil mazrufa bak\u201d s\u00f6z\u00fcn\u00fcn tersinden al\u0131yor!<\/p>\n

S\u00f6z\u00fcn Eylemini Yitirdi\u011fi An<\/p>\n

Yeteneksizli\u011fin ve duyars\u0131zl\u0131\u011f\u0131n onca kavram karga\u015fas\u0131na aras\u0131nda g\u00fcr\u00fclt\u00fcye getirildi\u011fi; \u201c\u0130yi ama bu neyi anlat\u0131yor?\u201d diye soranlara, \u201cSen onu b\u0131rak da nas\u0131l yapt\u0131\u011f\u0131ma bak!\u201d yan\u0131t\u0131n\u0131 veren bir sanat ortam\u0131ndan ge\u00e7iyoruz nicedir. Rengin, f\u0131r\u00e7a darbesinin, imgenin, s\u00fcsl\u00fc notan\u0131n her \u015fey say\u0131ld\u0131\u011f\u0131 bir \u201cedebi\u201d iklimde ya\u015fananlar\u0131 kim kavramaya \u00e7al\u0131\u015f\u0131yor, varolu\u015fun s\u0131rr\u0131n\u0131n reklamda yatt\u0131\u011f\u0131n\u0131 fark eden kim?<\/p>\n

Ya\u015fad\u0131\u011f\u0131n\u0131z kentin sembollerini d\u00fc\u015f\u00fcn\u00fcn; \u015fimdi yerinde yeller esen duvar resimlerini; kimisi oligar\u015finin elinden g\u00fc\u00e7l\u00fckle kurtar\u0131lm\u0131\u015f heykelleri\u2026 Sonra bug\u00fcne gelin. Yeni sanat, yeni insan i\u00e7in neler vaat ediyor, hangi simgeleri \u00fcretiyor? Bir \u015fehirde sergi a\u00e7\u0131l\u0131\u015flar\u0131, panel ve konferanslar, \u00e7al\u0131\u015ftaylar; hatta bu olup bitenleri sorgulamaya \u00e7al\u0131\u015fan b\u00f6ylesi yaz\u0131lar 100-150 ki\u015fi aras\u0131nda d\u00f6n\u00fcp duruyorsa, s\u00f6z eylemini yitirmi\u015ftir! Okuyandan \u00e7ok yazan; dinlemeye \u00e7al\u0131\u015fandan fazla konu\u015fan; durmaks\u0131z\u0131n anlatmay\u0131, \u201canlamaya\u201d tercih eden ya\u015f alm\u0131\u015f topluluklar tutmu\u015fsa k\u00f6\u015fe ba\u015flar\u0131n\u0131\u2026 Yaz\u0131p \u00e7izmenin dahi mant\u0131\u011f\u0131 ortadan kalkm\u0131\u015ft\u0131r.<\/p>\n

\u00d6nderler ve Koyunlar!<\/p>\n

G\u00fcn\u00fcm\u00fcz sanat ortam\u0131, eskiden reva\u00e7ta olan \u201c\u015fatafatl\u0131 ma\u011flubiyet\u201d, \u201conurlu yenilgi\u201d gibi izahlara bile ihtiya\u00e7 duymuyor; zira ortada bir kay\u0131p yok. Adeta her \u015fey kazan\u0131lan sanal mevzileri korumak \u00fczerine kurulu. Masa ba\u015flar\u0131nda gen\u00e7lik \u00fczerine s\u00f6ylevler veren, onlara yol g\u00f6steren siluetler, dar bir grubun egemen oldu\u011fu soylu sanat ortamlar\u0131ndaki ya\u015f ortalamas\u0131n\u0131 sorun dahi etmiyor. \u015eayet Delacroix\u2019n\u0131n \u201cHalka \u00d6nderlik Eden H\u00fcrriyet\u201di yeniden yorumlansa idi 2025\u2019in kahramanlar\u0131, muhtemelen gemisini kurtaran kaptanlar olurdu. (Bunu, \u201ckendi baca\u011f\u0131ndan as\u0131lan koyunlar\u201d \u015feklinde de okuyabilirsiniz!)<\/p>\n

B\u00fct\u00fcn bu ahval ve \u015ferait i\u00e7inde, bu sat\u0131rlar\u0131n yazar\u0131 da d\u00e2hil olmak \u00fczere; kim, d\u00fcnyay\u0131 sanat\u0131n kurtaraca\u011f\u0131na vurgu yap\u0131yorsa yalan s\u00f6yl\u00fcyordur!\u00a0<\/p>\n

\u200bHaberin Al\u0131nt\u0131land\u0131\u011f\u0131 Kaynak: www.antalyakorfez.com<\/p>","protected":false},"excerpt":{"rendered":"

Toplumda, Van Gogh\u2019a \u00f6yk\u00fcnerek s\u00f6ylersek \u201cpatates yiyen\u201d yoksul y\u0131\u011f\u0131nlar \u00e7o\u011fald\u0131k\u00e7a diziler, \u00fcst s\u0131n\u0131f zengin sofralar\u0131na \u00e7eviriyor kameralar\u0131n\u0131. Avam, yukar\u0131n\u0131n tutars\u0131z g\u00f6n\u00fcl maceralar\u0131n\u0131, t\u00fcm o \u015fatafat i\u00e7inde ya\u015fad\u0131\u011f\u0131 mutsuzlu\u011fu seyre dal\u0131yor; adeta bunlarla avunuyor. S\u0131n\u0131f atlama \u00e7abas\u0131 dahi derin bir hareketsizlik duygusuyla \u201cizlemeyle yetinme\u201d eylemine d\u00f6n\u00fc\u015fm\u00fc\u015f durumda. Mazrufa De\u011fil Zarfa Bak! Bir zamanlar egemenin, erkin, tepenin tahakk\u00fcm\u00fcn\u00fc konu alan sinema, uzunca bir s\u00fcredir bu tarihsel u\u011fra\u015f\u0131n yan\u0131na sokulmuyor. Hedefte gariban olan var. Bir zamanlar Chaplin\u2019in, Kemal Sunal\u2019\u0131n g\u00f6zlerinden d\u00fcnyaya bakanlar, art\u0131k toplumsal ya\u015famdan tamamen soyutlanm\u0131\u015f \u201ck\u00fc\u00e7\u00fck adam\u201d\u0131n anlams\u0131z eylemlerine g\u00fcl\u00fcp ge\u00e7iyor. D\u00fcn\u00fcn fig\u00fcranlar\u0131 ba\u015fat unsur art\u0131k ve yedinci sanat, 100 k\u00fcsur y\u0131l sonra i\u00e7inden \u00e7\u0131kt\u0131\u011f\u0131 s\u0131n\u0131fa s\u0131rt \u00e7evirmi\u015f durumda. Say\u0131ca az etki olarak fazla bir topluluk eliyle form\u00fcle edilen \u201csanat\u201d veya \u201cfestival\u201d sinemas\u0131nda da her \u015fey planland\u0131\u011f\u0131 gibi ilerliyor. G\u00fcn\u00fcm\u00fcz\u00fcn \u201chakikati arayan\u201d (!) y\u00f6netmenlerinin \u00fcretimleri bu diyar\u0131 de\u011fil de zembille indikleri g\u00f6kleri i\u015faret ediyor sanki. Suskunlu\u011funun ard\u0131nda derin anlamlar yatt\u0131\u011f\u0131n\u0131 varsayd\u0131\u011f\u0131m\u0131z tiplemeler de bir ba\u015fyap\u0131t\u0131n oyuncular\u0131 olarak selamlan\u0131yor, durmaks\u0131z\u0131n konu\u015fanlar da\u2026 Sessizlik ya da kelime bombard\u0131man\u0131nda anlam aramak nafile! 21. y\u00fczy\u0131l\u0131n sanat ortam\u0131, kudretini \u201cZarfa de\u011fil mazrufa bak\u201d s\u00f6z\u00fcn\u00fcn tersinden al\u0131yor! S\u00f6z\u00fcn Eylemini Yitirdi\u011fi An Yeteneksizli\u011fin ve duyars\u0131zl\u0131\u011f\u0131n onca kavram karga\u015fas\u0131na aras\u0131nda g\u00fcr\u00fclt\u00fcye getirildi\u011fi; \u201c\u0130yi ama bu neyi anlat\u0131yor?\u201d diye soranlara, …<\/p>","protected":false},"author":5,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[24],"tags":[],"class_list":["post-87289","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gundem"],"acf":[],"yoast_head":"\nSanat\u0131n Hal-i P\u00fcr Mel\u00e2li - Av. Deniz Can K\u0131z\u0131l<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/denizcankizil.tr\/de\/haberler\/gundem\/sanatin-hal-i-pur-melali\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sanat\u0131n Hal-i P\u00fcr Mel\u00e2li\" \/>\n<meta property=\"og:description\" content=\"Toplumda, Van Gogh\u2019a \u00f6yk\u00fcnerek s\u00f6ylersek \u201cpatates yiyen\u201d yoksul y\u0131\u011f\u0131nlar \u00e7o\u011fald\u0131k\u00e7a diziler, \u00fcst s\u0131n\u0131f zengin sofralar\u0131na \u00e7eviriyor kameralar\u0131n\u0131. Avam, yukar\u0131n\u0131n tutars\u0131z g\u00f6n\u00fcl maceralar\u0131n\u0131, t\u00fcm o \u015fatafat i\u00e7inde ya\u015fad\u0131\u011f\u0131 mutsuzlu\u011fu seyre dal\u0131yor; adeta bunlarla avunuyor. S\u0131n\u0131f atlama \u00e7abas\u0131 dahi derin bir hareketsizlik duygusuyla \u201cizlemeyle yetinme\u201d eylemine d\u00f6n\u00fc\u015fm\u00fc\u015f durumda. Mazrufa De\u011fil Zarfa Bak! Bir zamanlar egemenin, erkin, tepenin tahakk\u00fcm\u00fcn\u00fc konu alan sinema, uzunca bir s\u00fcredir bu tarihsel u\u011fra\u015f\u0131n yan\u0131na sokulmuyor. Hedefte gariban olan var. Bir zamanlar Chaplin\u2019in, Kemal Sunal\u2019\u0131n g\u00f6zlerinden d\u00fcnyaya bakanlar, art\u0131k toplumsal ya\u015famdan tamamen soyutlanm\u0131\u015f \u201ck\u00fc\u00e7\u00fck adam\u201d\u0131n anlams\u0131z eylemlerine g\u00fcl\u00fcp ge\u00e7iyor. D\u00fcn\u00fcn fig\u00fcranlar\u0131 ba\u015fat unsur art\u0131k ve yedinci sanat, 100 k\u00fcsur y\u0131l sonra i\u00e7inden \u00e7\u0131kt\u0131\u011f\u0131 s\u0131n\u0131fa s\u0131rt \u00e7evirmi\u015f durumda. Say\u0131ca az etki olarak fazla bir topluluk eliyle form\u00fcle edilen \u201csanat\u201d veya \u201cfestival\u201d sinemas\u0131nda da her \u015fey planland\u0131\u011f\u0131 gibi ilerliyor. G\u00fcn\u00fcm\u00fcz\u00fcn \u201chakikati arayan\u201d (!) y\u00f6netmenlerinin \u00fcretimleri bu diyar\u0131 de\u011fil de zembille indikleri g\u00f6kleri i\u015faret ediyor sanki. Suskunlu\u011funun ard\u0131nda derin anlamlar yatt\u0131\u011f\u0131n\u0131 varsayd\u0131\u011f\u0131m\u0131z tiplemeler de bir ba\u015fyap\u0131t\u0131n oyuncular\u0131 olarak selamlan\u0131yor, durmaks\u0131z\u0131n konu\u015fanlar da\u2026 Sessizlik ya da kelime bombard\u0131man\u0131nda anlam aramak nafile! 21. y\u00fczy\u0131l\u0131n sanat ortam\u0131, kudretini \u201cZarfa de\u011fil mazrufa bak\u201d s\u00f6z\u00fcn\u00fcn tersinden al\u0131yor! S\u00f6z\u00fcn Eylemini Yitirdi\u011fi An Yeteneksizli\u011fin ve duyars\u0131zl\u0131\u011f\u0131n onca kavram karga\u015fas\u0131na aras\u0131nda g\u00fcr\u00fclt\u00fcye getirildi\u011fi; \u201c\u0130yi ama bu neyi anlat\u0131yor?\u201d diye soranlara, …\" \/>\n<meta property=\"og:url\" content=\"https:\/\/denizcankizil.tr\/de\/haberler\/gundem\/sanatin-hal-i-pur-melali\/\" \/>\n<meta property=\"og:site_name\" content=\"Av. 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Deniz Can K\u0131z\u0131l","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/denizcankizil.tr\/de\/haberler\/gundem\/sanatin-hal-i-pur-melali\/","og_locale":"de_DE","og_type":"article","og_title":"Sanat\u0131n Hal-i P\u00fcr Mel\u00e2li","og_description":"Toplumda, Van Gogh\u2019a \u00f6yk\u00fcnerek s\u00f6ylersek \u201cpatates yiyen\u201d yoksul y\u0131\u011f\u0131nlar \u00e7o\u011fald\u0131k\u00e7a diziler, \u00fcst s\u0131n\u0131f zengin sofralar\u0131na \u00e7eviriyor kameralar\u0131n\u0131. Avam, yukar\u0131n\u0131n tutars\u0131z g\u00f6n\u00fcl maceralar\u0131n\u0131, t\u00fcm o \u015fatafat i\u00e7inde ya\u015fad\u0131\u011f\u0131 mutsuzlu\u011fu seyre dal\u0131yor; adeta bunlarla avunuyor. S\u0131n\u0131f atlama \u00e7abas\u0131 dahi derin bir hareketsizlik duygusuyla \u201cizlemeyle yetinme\u201d eylemine d\u00f6n\u00fc\u015fm\u00fc\u015f durumda. Mazrufa De\u011fil Zarfa Bak! Bir zamanlar egemenin, erkin, tepenin tahakk\u00fcm\u00fcn\u00fc konu alan sinema, uzunca bir s\u00fcredir bu tarihsel u\u011fra\u015f\u0131n yan\u0131na sokulmuyor. Hedefte gariban olan var. Bir zamanlar Chaplin\u2019in, Kemal Sunal\u2019\u0131n g\u00f6zlerinden d\u00fcnyaya bakanlar, art\u0131k toplumsal ya\u015famdan tamamen soyutlanm\u0131\u015f \u201ck\u00fc\u00e7\u00fck adam\u201d\u0131n anlams\u0131z eylemlerine g\u00fcl\u00fcp ge\u00e7iyor. D\u00fcn\u00fcn fig\u00fcranlar\u0131 ba\u015fat unsur art\u0131k ve yedinci sanat, 100 k\u00fcsur y\u0131l sonra i\u00e7inden \u00e7\u0131kt\u0131\u011f\u0131 s\u0131n\u0131fa s\u0131rt \u00e7evirmi\u015f durumda. Say\u0131ca az etki olarak fazla bir topluluk eliyle form\u00fcle edilen \u201csanat\u201d veya \u201cfestival\u201d sinemas\u0131nda da her \u015fey planland\u0131\u011f\u0131 gibi ilerliyor. G\u00fcn\u00fcm\u00fcz\u00fcn \u201chakikati arayan\u201d (!) y\u00f6netmenlerinin \u00fcretimleri bu diyar\u0131 de\u011fil de zembille indikleri g\u00f6kleri i\u015faret ediyor sanki. Suskunlu\u011funun ard\u0131nda derin anlamlar yatt\u0131\u011f\u0131n\u0131 varsayd\u0131\u011f\u0131m\u0131z tiplemeler de bir ba\u015fyap\u0131t\u0131n oyuncular\u0131 olarak selamlan\u0131yor, durmaks\u0131z\u0131n konu\u015fanlar da\u2026 Sessizlik ya da kelime bombard\u0131man\u0131nda anlam aramak nafile! 21. y\u00fczy\u0131l\u0131n sanat ortam\u0131, kudretini \u201cZarfa de\u011fil mazrufa bak\u201d s\u00f6z\u00fcn\u00fcn tersinden al\u0131yor! S\u00f6z\u00fcn Eylemini Yitirdi\u011fi An Yeteneksizli\u011fin ve duyars\u0131zl\u0131\u011f\u0131n onca kavram karga\u015fas\u0131na aras\u0131nda g\u00fcr\u00fclt\u00fcye getirildi\u011fi; \u201c\u0130yi ama bu neyi anlat\u0131yor?\u201d diye soranlara, …","og_url":"https:\/\/denizcankizil.tr\/de\/haberler\/gundem\/sanatin-hal-i-pur-melali\/","og_site_name":"Av. 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