\u201cLet me tell you a story to chill the bones
\nAbout a thing that I saw.\u201d
\n(Iron Maiden \u2013 Dance of Death)<\/p>\n
Hayat\u0131n bize tan\u0131d\u0131\u011f\u0131 \u00f6zg\u00fcrl\u00fck, \u00e7o\u011fu zaman ne yapt\u0131\u011f\u0131m\u0131z\u0131 bilerek ya\u015fad\u0131\u011f\u0131m\u0131z bir alan de\u011fil; fark\u0131nda olmadan s\u00fcr\u00fcklendi\u011fimiz karanl\u0131k bir ritimdir, en az\u0131ndan baz\u0131 a\u00e7\u0131lardan b\u00f6yle yorumlanabilir. Bu ritim, kimi zaman bir s\u00f6zle ba\u015flar, kimi zaman bir ihmalin g\u00f6lgesinde b\u00fcy\u00fcr. \u0130nsan, eylemiyle kaderi aras\u0131ndaki \u00e7izgiyi ay\u0131rt etmekte gecikir. \u0130\u015fte hukuk, bu gecikmenin ad\u0131n\u0131 koyar. \u00c7\u00fcnk\u00fc her se\u00e7im bir netice do\u011furur. Ve her netice bir sorumluluk yarat\u0131r.<\/p>\n
Iron Maiden\u2019\u0131n Dance of Death \u015fark\u0131s\u0131, bu sorumlulu\u011fun ka\u00e7\u0131n\u0131lmazl\u0131\u011f\u0131na dair karanl\u0131k bir anlat\u0131d\u0131r. Bir adam, mezarl\u0131kta y\u00fcr\u00fcrken kar\u015f\u0131la\u015ft\u0131\u011f\u0131 tuhaf bir toplulukla istemeden bir dansa kat\u0131l\u0131r. Ba\u015flang\u0131\u00e7ta ne oldu\u011funu tam olarak kavrayamaz. Ancak dans ilerledik\u00e7e, art\u0131k bu d\u00fcnyadan uzakla\u015ft\u0131\u011f\u0131n\u0131, ruhunun bedeni terk etti\u011fini ve kendi \u00f6l\u00fc bedenini d\u0131\u015far\u0131dan izlemeye ba\u015flad\u0131\u011f\u0131n\u0131 fark eder:<\/p>\n
\u201cAs I danced with the dead
\nMy free spirit was laughing and howling down at me
\nBelow my undead body
\nJust danced the circle of dead.\u201d<\/p>\n
\u0130rade art\u0131k yoktur. Se\u00e7im bitmi\u015f, sonu\u00e7 ba\u015flam\u0131\u015ft\u0131r.
\nHukuk da \u00e7o\u011fu zaman tam burada devreye girer. \u0130nsan bir fiil ger\u00e7ekle\u015ftirdi\u011finde de\u011fil, o fiilin anlam\u0131n\u0131 ve sonu\u00e7lar\u0131n\u0131 kavrad\u0131\u011f\u0131nda hukuk ba\u015flar. Hukuk, olup biteni yaln\u0131zca tespit eden bir ayg\u0131t de\u011fildir; ayn\u0131 zamanda neyin, neden ve kimin taraf\u0131ndan sorumlulukla \u00fcstlenilece\u011fini tayin eden sessiz bir a\u011f\u0131rl\u0131kt\u0131r.<\/p>\n
Martin Heidegger\u2019e g\u00f6re \u00f6l\u00fcm, insan\u0131n kendi varl\u0131\u011f\u0131n\u0131 b\u00fct\u00fcn\u00fcyle \u00fcstlenmesidir. Hukuk da, bireyin hem ya\u015farken hem de \u00f6ld\u00fckten sonra ard\u0131nda b\u0131rakt\u0131\u011f\u0131 eylemlerin izini s\u00fcrerek onu kendisine iade eder. \u00c7\u00fcnk\u00fc hi\u00e7bir eylem, sonu\u00e7suz de\u011fildir. Hukuk bunu bilir. \u0130nsan \u00e7o\u011fu zaman bilmez.<\/p>\n
Hukuk, \u00f6l\u00fcm kar\u015f\u0131s\u0131nda bile susmaz. \u00c7\u00fcnk\u00fc \u00f6l\u00fcm, yaln\u0131zca bir son de\u011fil; miras, sorumluluk, bor\u00e7 ve d\u00fczen a\u00e7\u0131s\u0131ndan yeni bir ba\u015flang\u0131\u00e7t\u0131r. Mezarl\u0131kta yap\u0131lan o dans, sadece \u00f6l\u00fc bedenlerin de\u011fil, ge\u00e7mi\u015fin bor\u00e7lar\u0131n\u0131n, yar\u0131m kalm\u0131\u015f ili\u015fkilerin, kapanmam\u0131\u015f hesaplar\u0131n ritmidir. Dante\u2019nin \u0130lahi Komedya\u2019s\u0131nda Cehennem\u2019in giri\u015finde \u201cBuraya giren her umut terk etsin\u201d ya da “Ey buradan i\u00e7eri girenler, her t\u00fcrl\u00fc \u00fcmidi geride b\u0131rak\u0131n” yaz\u0131yordu. Oysa hukuk, \u00f6l\u00fcm kap\u0131s\u0131nda bile umudu tamamen terk etmez. Tereke a\u00e7\u0131l\u0131r, vasiyetler okunur, alacakl\u0131lar s\u0131ralan\u0131r. Hayat biter, ama d\u00fczen devam eder.<\/p>\n
\u201cI danced and I pranced and I sang with them
\nAll had death in their eyes
\nLifeless figures, they were undead all of them
\nThey had ascended from hell.\u201d<\/p>\n
Bu dizelerdeki \u201cundead\u201d fig\u00fcrler, hukuken sona ermi\u015f ama etkileri devam eden stat\u00fcleri hat\u0131rlat\u0131r:
\nBitmi\u015f s\u00f6zle\u015fmelerin do\u011furdu\u011fu davalar, sona ermi\u015f hayatlar\u0131n geride b\u0131rakt\u0131\u011f\u0131 bor\u00e7lar, susmu\u015f a\u011f\u0131zlar\u0131n ard\u0131nda kalan belgeler\u2026<\/p>\n
Hukuk \u00e7o\u011fu zaman gecikir. Ama gecikmesi, ilgisizli\u011finden de\u011fil, d\u00fc\u015f\u00fcnmesindendir. Franz Kafka\u2019n\u0131n Dava adl\u0131 roman\u0131nda Josef K., neden su\u00e7land\u0131\u011f\u0131n\u0131 bilmeden yarg\u0131lan\u0131r. Hukuk burada abs\u00fcrtt\u00fcr; belirsiz ve yabanc\u0131. Dance of Death de bu yabanc\u0131l\u0131\u011f\u0131 ta\u015f\u0131r: anlat\u0131c\u0131 nereye gitti\u011fini bilmeden kat\u0131l\u0131r dansa, bir irade sergilemeden s\u00fcr\u00fcklenir.<\/p>\n
Ancak bu yaln\u0131zca estetik bir kurgudan ibaret de\u011fildir. Ger\u00e7ek hayatta da insanlar \u00e7o\u011fu zaman neyi neden yapt\u0131klar\u0131n\u0131 bilmeden eyleme ge\u00e7erler. Bir bor\u00e7 alt\u0131na girer ama y\u00fck\u00fcml\u00fcl\u00fc\u011f\u00fcn\u00fc umursamazlar. Bir imza atar ama sonu\u00e7lar\u0131n\u0131 d\u00fc\u015f\u00fcnmezler. Hukuk ise bu fark\u0131ndas\u0131zl\u0131\u011f\u0131n kar\u015f\u0131s\u0131nda sessizce bekler.
\n\u00c7\u00fcnk\u00fc \u201cbilmiyordum\u201d demek, \u00e7o\u011fu zaman yeterli de\u011fildir.<\/p>\n
\u201cAnd I felt I was in a trance
\nAnd my spirit was lifted from me
\nAnd if only someone had the chance
\nTo witness what happened to me\u201d<\/p>\n
Kusurun hukuki anlam\u0131 da budur: eylemin yaln\u0131zca sonu\u00e7lar\u0131na de\u011fil, failin niyetine de bak\u0131l\u0131r. Ama insan, \u00e7o\u011fu zaman dans\u0131n i\u00e7inde kendini kaybeder.
\nSonra bir anda bakar ki, o fig\u00fcrlerin aras\u0131nda kendi sureti vard\u0131r.
\nNietzsche, \u201c\u0130nsan, sorumluluk y\u00fcklenen tek hayvand\u0131r,\u201d derken, bu y\u00fck\u00fcn anlam\u0131n\u0131 yaln\u0131zca ceza de\u011fil, anlam ve d\u00fczen a\u00e7\u0131s\u0131ndan kuruyordu. Dance of Death\u2019teki anlat\u0131c\u0131, dans\u0131n bir par\u00e7as\u0131 olmaktan \u00e7\u0131k\u0131p kendi \u00f6l\u00fc bedenini yukar\u0131dan g\u00f6rd\u00fc\u011f\u00fcnde, art\u0131k sadece ya\u015fam\u0131n de\u011fil, kendi tercihinin de d\u0131\u015f\u0131na \u00e7\u0131km\u0131\u015ft\u0131r.
\nBurada, hukuk diliyle s\u00f6ylersek, \u201cfiilin faili\u201d olmak sona ermi\u015f, \u201csonucun ta\u015f\u0131y\u0131c\u0131s\u0131\u201d olmak ba\u015flam\u0131\u015ft\u0131r.<\/p>\n
\u0130nsan \u00e7o\u011fu zaman, kendini \u00f6zg\u00fcr san\u0131rken asl\u0131nda \u00e7oktan bir dizi ba\u011f\u0131n i\u00e7ine girmi\u015ftir.
\nHer s\u00f6z, bir ba\u011fd\u0131r.
\nHer ba\u011f, bir d\u00fczenin par\u00e7as\u0131d\u0131r.
\nHer d\u00fczen, bir sorumluluk \u00fcretir.<\/p>\n
Bu y\u00fczden, mezarl\u0131kta ba\u015flayan o dans, sadece \u00f6l\u00fcm\u00fcn de\u011fil, hayat\u0131n boyunca att\u0131\u011f\u0131n her ad\u0131m\u0131n seni g\u00f6t\u00fcrd\u00fc\u011f\u00fc nihai yerdir.
\nHukuk bu ad\u0131mlar\u0131 yazmaz.
\nSadece bir araya getirip adland\u0131r\u0131r.<\/p>\n
\u201cWhen you’re lying in your sleep, when you’re lying in your bed
\nAnd you wake from your dreams to go dancing with the dead”<\/p>\n
Son dizelerdeki bu uyan\u0131\u015f, bir t\u00fcr hesap an\u0131d\u0131r.
\nAma art\u0131k hi\u00e7bir \u015fey geri al\u0131namaz.
\nT\u0131pk\u0131 baz\u0131 fiillerin, baz\u0131 ihlallerin hukuk \u00f6n\u00fcnde telafisi olmad\u0131\u011f\u0131 gibi.
\nT\u0131pk\u0131 bir cezan\u0131n infaz\u0131ndan sonra gelen pi\u015fmanl\u0131k gibi.<\/p>\n
Aristoteles\u2019e g\u00f6re hukuk, insani olan\u0131 \u00f6l\u00e7en bir sanatt\u0131r. \u00d6l\u00e7\u00fc ka\u00e7t\u0131\u011f\u0131nda, adalet ya fazla ya da eksik olur.
\nDance of Death, \u00f6l\u00e7\u00fcy\u00fc kaybetmenin anlat\u0131s\u0131d\u0131r.
\nVe o \u00f6l\u00e7\u00fcn\u00fcn yeniden kurulmas\u0131, yaln\u0131zca hukukla m\u00fcmk\u00fcnd\u00fcr.
\nAma bu her zaman olmas\u0131 gerekti\u011fi vakitte tahakkuk etmez.<\/p>\n
SON S\u00d6Z YER\u0130NE<\/p>\n
\u0130nsan\u0131n hayat\u0131, ard\u0131 ard\u0131na gelen ad\u0131mlarla de\u011fil; birbirine ba\u011flanan sorumluluklarla kurulur.
\nHukuk bu ad\u0131mlar\u0131n izini s\u00fcrer.
\nAma sadece ne yapt\u0131\u011f\u0131m\u0131zla de\u011fil, ne yapt\u0131\u011f\u0131m\u0131z\u0131 anlay\u0131p anlamad\u0131\u011f\u0131m\u0131zla ilgilenir.
\nIron Maiden\u2019\u0131n bu \u015fark\u0131s\u0131, sadece gotik bir \u00f6yk\u00fc de\u011fil; fark\u0131ndal\u0131\u011f\u0131n ge\u00e7 geldi\u011fi bir hayat\u0131n ele\u015ftirisidir.<\/p>\n
Hukuk, ne dans edenin yan\u0131nda ne de seyircilerin aras\u0131nda durur.
\nO, en sonunda sahnede kaland\u0131r.
\nVe herkes gittikten sonra, son defteri yazand\u0131r.<\/p>\n
\u201cI swear to God, now I\u2019ll never dance again.\u201d
\n(Yok bu s\u00f6z ge\u00e7miyor… Ama hukuk onu zaten \u00e7oktan yazd\u0131.)<\/p>\n
\u200b\u201cLet me tell you a story to chill the bones
\nAbout a thing that I saw.\u201d
\n(Iron Maiden \u2013 Dance of Death)<\/p>\n
Hayat\u0131n bize tan\u0131d\u0131\u011f\u0131 \u00f6zg\u00fcrl\u00fck, \u00e7o\u011fu zaman ne yapt\u0131\u011f\u0131m\u0131z\u0131 bilerek ya\u015fad\u0131\u011f\u0131m\u0131z bir alan de\u011fil; fark\u0131nda olmadan s\u00fcr\u00fcklendi\u011fimiz karanl\u0131k bir ritimdir, en az\u0131ndan baz\u0131 a\u00e7\u0131lardan b\u00f6yle yorumlanabilir. Bu ritim, kimi zaman bir s\u00f6zle ba\u015flar, kimi zaman bir ihmalin g\u00f6lgesinde b\u00fcy\u00fcr. \u0130nsan, eylemiyle kaderi aras\u0131ndaki \u00e7izgiyi ay\u0131rt etmekte gecikir. \u0130\u015fte hukuk, bu gecikmenin ad\u0131n\u0131 koyar. \u00c7\u00fcnk\u00fc her se\u00e7im bir netice do\u011furur. Ve her netice bir sorumluluk yarat\u0131r.<\/p>\n
Iron Maiden\u2019\u0131n Dance of Death \u015fark\u0131s\u0131, bu sorumlulu\u011fun ka\u00e7\u0131n\u0131lmazl\u0131\u011f\u0131na dair karanl\u0131k bir anlat\u0131d\u0131r. Bir adam, mezarl\u0131kta y\u00fcr\u00fcrken kar\u015f\u0131la\u015ft\u0131\u011f\u0131 tuhaf bir toplulukla istemeden bir dansa kat\u0131l\u0131r. Ba\u015flang\u0131\u00e7ta ne oldu\u011funu tam olarak kavrayamaz. Ancak dans ilerledik\u00e7e, art\u0131k bu d\u00fcnyadan uzakla\u015ft\u0131\u011f\u0131n\u0131, ruhunun bedeni terk etti\u011fini ve kendi \u00f6l\u00fc bedenini d\u0131\u015far\u0131dan izlemeye ba\u015flad\u0131\u011f\u0131n\u0131 fark eder:<\/p>\n
\u201cAs I danced with the dead
\nMy free spirit was laughing and howling down at me
\nBelow my undead body
\nJust danced the circle of dead.\u201d<\/p>\n
\u0130rade art\u0131k yoktur. Se\u00e7im bitmi\u015f, sonu\u00e7 ba\u015flam\u0131\u015ft\u0131r.
\nHukuk da \u00e7o\u011fu zaman tam burada devreye girer. \u0130nsan bir fiil ger\u00e7ekle\u015ftirdi\u011finde de\u011fil, o fiilin anlam\u0131n\u0131 ve sonu\u00e7lar\u0131n\u0131 kavrad\u0131\u011f\u0131nda hukuk ba\u015flar. Hukuk, olup biteni yaln\u0131zca tespit eden bir ayg\u0131t de\u011fildir; ayn\u0131 zamanda neyin, neden ve kimin taraf\u0131ndan sorumlulukla \u00fcstlenilece\u011fini tayin eden sessiz bir a\u011f\u0131rl\u0131kt\u0131r.<\/p>\n
Martin Heidegger\u2019e g\u00f6re \u00f6l\u00fcm, insan\u0131n kendi varl\u0131\u011f\u0131n\u0131 b\u00fct\u00fcn\u00fcyle \u00fcstlenmesidir. Hukuk da, bireyin hem ya\u015farken hem de \u00f6ld\u00fckten sonra ard\u0131nda b\u0131rakt\u0131\u011f\u0131 eylemlerin izini s\u00fcrerek onu kendisine iade eder. \u00c7\u00fcnk\u00fc hi\u00e7bir eylem, sonu\u00e7suz de\u011fildir. Hukuk bunu bilir. \u0130nsan \u00e7o\u011fu zaman bilmez.<\/p>\n
Hukuk, \u00f6l\u00fcm kar\u015f\u0131s\u0131nda bile susmaz. \u00c7\u00fcnk\u00fc \u00f6l\u00fcm, yaln\u0131zca bir son de\u011fil; miras, sorumluluk, bor\u00e7 ve d\u00fczen a\u00e7\u0131s\u0131ndan yeni bir ba\u015flang\u0131\u00e7t\u0131r. Mezarl\u0131kta yap\u0131lan o dans, sadece \u00f6l\u00fc bedenlerin de\u011fil, ge\u00e7mi\u015fin bor\u00e7lar\u0131n\u0131n, yar\u0131m kalm\u0131\u015f ili\u015fkilerin, kapanmam\u0131\u015f hesaplar\u0131n ritmidir. Dante\u2019nin \u0130lahi Komedya\u2019s\u0131nda Cehennem\u2019in giri\u015finde \u201cBuraya giren her umut terk etsin\u201d ya da “Ey buradan i\u00e7eri girenler, her t\u00fcrl\u00fc \u00fcmidi geride b\u0131rak\u0131n” yaz\u0131yordu. Oysa hukuk, \u00f6l\u00fcm kap\u0131s\u0131nda bile umudu tamamen terk etmez. Tereke a\u00e7\u0131l\u0131r, vasiyetler okunur, alacakl\u0131lar s\u0131ralan\u0131r. Hayat biter, ama d\u00fczen devam eder.<\/p>\n
\u201cI danced and I pranced and I sang with them
\nAll had death in their eyes
\nLifeless figures, they were undead all of them
\nThey had ascended from hell.\u201d<\/p>\n
Bu dizelerdeki \u201cundead\u201d fig\u00fcrler, hukuken sona ermi\u015f ama etkileri devam eden stat\u00fcleri hat\u0131rlat\u0131r:
\nBitmi\u015f s\u00f6zle\u015fmelerin do\u011furdu\u011fu davalar, sona ermi\u015f hayatlar\u0131n geride b\u0131rakt\u0131\u011f\u0131 bor\u00e7lar, susmu\u015f a\u011f\u0131zlar\u0131n ard\u0131nda kalan belgeler\u2026<\/p>\n
Hukuk \u00e7o\u011fu zaman gecikir. Ama gecikmesi, ilgisizli\u011finden de\u011fil, d\u00fc\u015f\u00fcnmesindendir. Franz Kafka\u2019n\u0131n Dava adl\u0131 roman\u0131nda Josef K., neden su\u00e7land\u0131\u011f\u0131n\u0131 bilmeden yarg\u0131lan\u0131r. Hukuk burada abs\u00fcrtt\u00fcr; belirsiz ve yabanc\u0131. Dance of Death de bu yabanc\u0131l\u0131\u011f\u0131 ta\u015f\u0131r: anlat\u0131c\u0131 nereye gitti\u011fini bilmeden kat\u0131l\u0131r dansa, bir irade sergilemeden s\u00fcr\u00fcklenir.<\/p>\n
Ancak bu yaln\u0131zca estetik bir kurgudan ibaret de\u011fildir. Ger\u00e7ek hayatta da insanlar \u00e7o\u011fu zaman neyi neden yapt\u0131klar\u0131n\u0131 bilmeden eyleme ge\u00e7erler. Bir bor\u00e7 alt\u0131na girer ama y\u00fck\u00fcml\u00fcl\u00fc\u011f\u00fcn\u00fc umursamazlar. Bir imza atar ama sonu\u00e7lar\u0131n\u0131 d\u00fc\u015f\u00fcnmezler. Hukuk ise bu fark\u0131ndas\u0131zl\u0131\u011f\u0131n kar\u015f\u0131s\u0131nda sessizce bekler.
\n\u00c7\u00fcnk\u00fc \u201cbilmiyordum\u201d demek, \u00e7o\u011fu zaman yeterli de\u011fildir.<\/p>\n
\u201cAnd I felt I was in a trance
\nAnd my spirit was lifted from me
\nAnd if only someone had the chance
\nTo witness what happened to me\u201d<\/p>\n
Kusurun hukuki anlam\u0131 da budur: eylemin yaln\u0131zca sonu\u00e7lar\u0131na de\u011fil, failin niyetine de bak\u0131l\u0131r. Ama insan, \u00e7o\u011fu zaman dans\u0131n i\u00e7inde kendini kaybeder.
\nSonra bir anda bakar ki, o fig\u00fcrlerin aras\u0131nda kendi sureti vard\u0131r.
\nNietzsche, \u201c\u0130nsan, sorumluluk y\u00fcklenen tek hayvand\u0131r,\u201d derken, bu y\u00fck\u00fcn anlam\u0131n\u0131 yaln\u0131zca ceza de\u011fil, anlam ve d\u00fczen a\u00e7\u0131s\u0131ndan kuruyordu. Dance of Death\u2019teki anlat\u0131c\u0131, dans\u0131n bir par\u00e7as\u0131 olmaktan \u00e7\u0131k\u0131p kendi \u00f6l\u00fc bedenini yukar\u0131dan g\u00f6rd\u00fc\u011f\u00fcnde, art\u0131k sadece ya\u015fam\u0131n de\u011fil, kendi tercihinin de d\u0131\u015f\u0131na \u00e7\u0131km\u0131\u015ft\u0131r.
\nBurada, hukuk diliyle s\u00f6ylersek, \u201cfiilin faili\u201d olmak sona ermi\u015f, \u201csonucun ta\u015f\u0131y\u0131c\u0131s\u0131\u201d olmak ba\u015flam\u0131\u015ft\u0131r.<\/p>\n
\u0130nsan \u00e7o\u011fu zaman, kendini \u00f6zg\u00fcr san\u0131rken asl\u0131nda \u00e7oktan bir dizi ba\u011f\u0131n i\u00e7ine girmi\u015ftir.
\nHer s\u00f6z, bir ba\u011fd\u0131r.
\nHer ba\u011f, bir d\u00fczenin par\u00e7as\u0131d\u0131r.
\nHer d\u00fczen, bir sorumluluk \u00fcretir.<\/p>\n
Bu y\u00fczden, mezarl\u0131kta ba\u015flayan o dans, sadece \u00f6l\u00fcm\u00fcn de\u011fil, hayat\u0131n boyunca att\u0131\u011f\u0131n her ad\u0131m\u0131n seni g\u00f6t\u00fcrd\u00fc\u011f\u00fc nihai yerdir.
\nHukuk bu ad\u0131mlar\u0131 yazmaz.
\nSadece bir araya getirip adland\u0131r\u0131r.<\/p>\n
\u201cWhen you’re lying in your sleep, when you’re lying in your bed
\nAnd you wake from your dreams to go dancing with the dead”<\/p>\n
Son dizelerdeki bu uyan\u0131\u015f, bir t\u00fcr hesap an\u0131d\u0131r.
\nAma art\u0131k hi\u00e7bir \u015fey geri al\u0131namaz.
\nT\u0131pk\u0131 baz\u0131 fiillerin, baz\u0131 ihlallerin hukuk \u00f6n\u00fcnde telafisi olmad\u0131\u011f\u0131 gibi.
\nT\u0131pk\u0131 bir cezan\u0131n infaz\u0131ndan sonra gelen pi\u015fmanl\u0131k gibi.<\/p>\n
Aristoteles\u2019e g\u00f6re hukuk, insani olan\u0131 \u00f6l\u00e7en bir sanatt\u0131r. \u00d6l\u00e7\u00fc ka\u00e7t\u0131\u011f\u0131nda, adalet ya fazla ya da eksik olur.
\nDance of Death, \u00f6l\u00e7\u00fcy\u00fc kaybetmenin anlat\u0131s\u0131d\u0131r.
\nVe o \u00f6l\u00e7\u00fcn\u00fcn yeniden kurulmas\u0131, yaln\u0131zca hukukla m\u00fcmk\u00fcnd\u00fcr.
\nAma bu her zaman olmas\u0131 gerekti\u011fi vakitte tahakkuk etmez.<\/p>\n
SON S\u00d6Z YER\u0130NE<\/p>\n
\u0130nsan\u0131n hayat\u0131, ard\u0131 ard\u0131na gelen ad\u0131mlarla de\u011fil; birbirine ba\u011flanan sorumluluklarla kurulur.
\nHukuk bu ad\u0131mlar\u0131n izini s\u00fcrer.
\nAma sadece ne yapt\u0131\u011f\u0131m\u0131zla de\u011fil, ne yapt\u0131\u011f\u0131m\u0131z\u0131 anlay\u0131p anlamad\u0131\u011f\u0131m\u0131zla ilgilenir.
\nIron Maiden\u2019\u0131n bu \u015fark\u0131s\u0131, sadece gotik bir \u00f6yk\u00fc de\u011fil; fark\u0131ndal\u0131\u011f\u0131n ge\u00e7 geldi\u011fi bir hayat\u0131n ele\u015ftirisidir.<\/p>\n
Hukuk, ne dans edenin yan\u0131nda ne de seyircilerin aras\u0131nda durur.
\nO, en sonunda sahnede kaland\u0131r.
\nVe herkes gittikten sonra, son defteri yazand\u0131r.<\/p>\n
\u201cI swear to God, now I\u2019ll never dance again.\u201d
\n(Yok bu s\u00f6z ge\u00e7miyor… Ama hukuk onu zaten \u00e7oktan yazd\u0131.)\u00a0Hukuki Haber<\/p>\n
Haberin Al\u0131nt\u0131land\u0131\u011f\u0131 Kaynak: www.hukukihaber.net<\/p>","protected":false},"excerpt":{"rendered":"
\u201cLet me tell you a story to chill the bones About a thing that I saw.\u201d (Iron Maiden \u2013 Dance of Death) Hayat\u0131n bize tan\u0131d\u0131\u011f\u0131 \u00f6zg\u00fcrl\u00fck, \u00e7o\u011fu zaman ne yapt\u0131\u011f\u0131m\u0131z\u0131 bilerek ya\u015fad\u0131\u011f\u0131m\u0131z bir alan de\u011fil; fark\u0131nda olmadan s\u00fcr\u00fcklendi\u011fimiz karanl\u0131k bir ritimdir, en az\u0131ndan baz\u0131 a\u00e7\u0131lardan b\u00f6yle yorumlanabilir. Bu ritim, kimi zaman bir s\u00f6zle ba\u015flar, kimi zaman bir ihmalin g\u00f6lgesinde b\u00fcy\u00fcr. \u0130nsan, eylemiyle kaderi aras\u0131ndaki \u00e7izgiyi ay\u0131rt etmekte gecikir. \u0130\u015fte hukuk, bu gecikmenin ad\u0131n\u0131 koyar. \u00c7\u00fcnk\u00fc her se\u00e7im bir netice do\u011furur. Ve her netice bir sorumluluk yarat\u0131r. Iron Maiden\u2019\u0131n Dance of Death \u015fark\u0131s\u0131, bu sorumlulu\u011fun ka\u00e7\u0131n\u0131lmazl\u0131\u011f\u0131na dair karanl\u0131k bir anlat\u0131d\u0131r. Bir adam, mezarl\u0131kta y\u00fcr\u00fcrken kar\u015f\u0131la\u015ft\u0131\u011f\u0131 tuhaf bir toplulukla istemeden bir dansa kat\u0131l\u0131r. Ba\u015flang\u0131\u00e7ta ne oldu\u011funu tam olarak kavrayamaz. Ancak dans ilerledik\u00e7e, art\u0131k bu d\u00fcnyadan uzakla\u015ft\u0131\u011f\u0131n\u0131, ruhunun bedeni terk etti\u011fini ve kendi \u00f6l\u00fc bedenini d\u0131\u015far\u0131dan izlemeye ba\u015flad\u0131\u011f\u0131n\u0131 fark eder: \u201cAs I danced with the dead My free spirit was laughing and howling down at me Below my undead body Just danced the circle of dead.\u201d \u0130rade art\u0131k yoktur. Se\u00e7im bitmi\u015f, sonu\u00e7 ba\u015flam\u0131\u015ft\u0131r. Hukuk da \u00e7o\u011fu zaman tam burada devreye girer. \u0130nsan bir fiil ger\u00e7ekle\u015ftirdi\u011finde de\u011fil, o fiilin anlam\u0131n\u0131 ve sonu\u00e7lar\u0131n\u0131 kavrad\u0131\u011f\u0131nda hukuk ba\u015flar. Hukuk, olup biteni yaln\u0131zca tespit eden bir ayg\u0131t de\u011fildir; …<\/p>","protected":false},"author":3,"featured_media":0,"comment_status":"","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[27],"tags":[],"class_list":["post-69645","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-hukukihaber"],"acf":[],"yoast_head":"\n